Allo, Darlin' (Dreaming 7")



Just the other week I posted about the video for Allo, Darlin's new single, "Dreaming," and bemoaned that the 7" had yet to be made available for online purchase (view post). Well, good things come to those who gripe on the internet, because this afternoon I got this latest installment of Fortuna Pop's e-newsletter saying that the 7" is up in the shop and available for order. (Clearly I have already ordered a copy.)

If you'd like to order one for yourself (and I highly recommend that you do), just head over here. Shipping is free within the UK, but if you're having it shipped overseas, it's a bit more. With the shipping charge and the exchange from British Pounds to US Dollars, my total was just over $7 (not too shabby, considering it has to travel across an ocean to get to my record player.)

If you don't want to shell out for the 7" (or, you know, if you don't have a record player), the single is available as a free download here.

You can get more Allo, Darlin' (including some super charming demo recordings) at their Official Site

Tullycraft (Well, Tullycraft-related)



So, who do you love? I certainly hope the answer is Tullycraft. I still remember the first Tullycraft song I ever heard -- the inimitable "Pop Songs Your New Boyfriend's Too Stupid To Know About" (link goes to a YouTube video) -- it was everything I wanted in a song, sweet (but a little snobby, just like me!), an instant mix tape staple, and an index of new bands to check out.

The other day I found out about an exciting project -- a proposed tribute album to Tullycraft, whose list of participating artists is just as fabulous as the artists listed off in "Pop Songs..." Wish I'd Kept A Scrabpook is the project's tentative title & you can expect it to feature tracks by Rose Melberg, The Smittens, Bunnygrunt, Math and Physics Club, and more.

So, what's the catch? In order to move forward with the comp, Lee needs to raise $1,000. There's a kickstarter.com page where you can read more about the project and, if you're feeling generous, make a donation. Kickstarter requires a minimum donation of $1 & your donation is only deducted from your account if the project meets its fundraising goal by the predetermined deadline. Donations will be open for Wish I'd Kept A Scrapbook until May 15th. The good news is, Lee has already raised $400 for the project! If you check out the donations page you'll see that depending on how much you donate, you can receive goodies like free mp3s, stickers, t-shirts, even getting your name in the liner notes!

If you're a Tullycraft fan, I really encourage you to support this project by making a donation.

If you're new to Tullycraft, you can check out their official site which happens to feature a totally boss daily mp3 blog.


Last night was a rough one. Drew and I drove out to Oberlin to see Girls and Dum Dum Girls at the Sco, an on-campus venue in Oberlin's student union. I was really looking forward to the show -- we had seen Girls twice before (once in Portland opening for the Pains of Being Pure at Heart and once in Cleveland opening for Los Campesinons!), but we had never seen a show where they were headlining. We had also heard that they had added a keyboard player to their line up, so I was interested in hearing how that changed their sound. I was also super stoked to see Dum Dum Girls. I've been listening to them a lot over the last six months or so but had never had the chance to see them live until last night.

The opening act, Leisure, sounded like something my mom would listen to while making Sunday brunch.* The lead singer landed somewhere in between Robert Smith & the dude from Spandeau Ballet & they were heavy on keyboards and jangly guitars, which are things I normally like a lot, but for some reason they just weren't doing it for me last night. Maybe I am just destined to hate on opening bands? I hope not. The crowd was very thin during this portion of the show, but as their set started to wind down, the venue began to get really crowded.

Dum Dum Girls were great -- they started off slow with their cover of "Play With Fire" from the Jail La La 7" & then proceeded to pretty much play all the hits. I was especially happy to hear "Catholicked" and "Yours Alone." I had it in the back of my head that it would be nice to hear "Ship of Love," but they didn't play that one. The band was fantastic though. They sounded great, they played a great set, they seemed really nice, etc. I loved their Silvertone guitars Towards the end of their set (maybe the last two songs?) the crowd started to get weirdly aggressive, though (really crushing in towards the stage, moshing, etc.)

Girls played a fantastic 13 song set that included the bulk of the tracks from their debut LP, Album. Their stage presence was right on & it was just fun to watch them play. Honestly, they get better and better every time we see them. Unfortunately, I started to have a really hard time with the crowd during their performance. Everyone was packed in super tight, a lot of people were being unreasonably aggressive, & people who weren't moshing were talking super loud and playing with their iPhones and Backberries. I'm not a huge fan of having to ward off unwarranted physical contact and I had to do that a lot last night. It was like some weird exercise in fighting off my inherently punk instinct to spit on people who invade my personal space at a show.**

It's hard, because I really don't want to make this about the crowd -- I feel like these experiences should ultimately be about the music & both Girls and Dum Dum Girls played an amazing show to an awful audience last night, which is admirable, but also terrible because, seriously, I think people who take the risk of putting themselves out there in such a public way should at least be treated with respect. (Also, can people not repeatedly scream out requests? Or is this a thing that has to happen? I feel old and crotchety for having these complaints, but I would really rather listen to a band play through their set without each song being punctuated by some dude shrieking, "Play ___!!!" but maybe that is just me.)

In fact, I think a big part of it is just me. On the way home Drew and I were talking about how we both staunchly situate ourselves within the "No Fun" camp. I mean, I hated college kids back when I was one and working full-time in higher education hasn't done a whole lot to facilitate a change of heart. So, being packed in with like 300 college kids is basically one of my worst possible nightmares. On top of that, I am secretly a 15 year-old sanctimonious straight-edger who has an unreasonably short fuse for the ways that people are prone to heckling bands and encroaching on other people's personal space while wasted.

Also on the way home, I was talking with Drew re: my thoughts on Japandroids (who we saw on Tuesday night) and the idea of "dude bands" drawing a particular audience which results in a particular atmosphere at their shows. I think if you were to compare Japandroids to Girls, while both are all-male ensembles, most people would walk away with the conclusion that Japandroids are a dude band and Girls aren't, and while the Japandroids show certainly attracted a large number of straight-up bros, the Girls show attracted an extreme number of the even more insidious "hipster bros," the majority of whom didn't seem to have any concern for making sure their actions reflected a desire for everyone at the show to both have a good time and also feel safe. At the Japandroids show, I was near a group of bros who were very friendly and very courteous, and also took the time to talk to the people around them (mainly petite girls who had elbowed their way up front so that they could actually see the band), saying "Hey, I really love this band and am probably going to get really into it, but if I get too close to you or if I bump into you or anything like that, let me know so that I can back off." It would have been SUPER COOL if some of the dudes at last night's show had shown similar concerns instead of assuming that they could grind all over me.

Anyway, Dum Dum Girls have their first full length out on Sub Pop (you can read my thoughts on that here & Girls are still riding high on their LP Album which came out on True Panther Sounds. They're still touring & if they're coming anywhere near you, you should definitely, definitely catch them. Don't let my crabbing stop you!

Oh, and in case you were wondering, the keyboard player is a good addition for Girls.

* In case you are wondering: My mom's typical Sunday brunch music includes stuff like Weekend, if that helps you piece their sound together.
** An exercise I had limited success with.

Live in Cleveland (Last Night)



Japandroids, "Young Hearts Spark Fire" (DOWNLOAD)
Japandroids, "Wet Hair" (DOWNLOAD)

Last night Drew & I went to the Grog Shop to see Japandroids & it ruled! I was still vaguely bumming about the show we saw the other night and was worried about tonight being another bust, but Japandroids were fantastic. Drew had to work, so we missed the first opener (Two Hand Fools) and arrived at the very end of the second opener's set. The second band, Jaguar Love (ex-members of the Blood Brothers & Pretty Girls Make Graves), just wasn't my thing (or Drew's, for that matter), so it was no big deal that we only heard them play about two songs.

The main opener, Avi Buffalo, was from Long Beach, CA & has an album coming out on Sub Pop later this month. Honestly, and I feel kind of like a jerk for saying this, I feel like I don't legitimately remember enough of their short set to really describe their sound, which is why I will never be a music journalist. BUT, a perusal of the "About" section of their webpage reveals that they view their music as being analogous to Lou Barlow, Bob Pollard, and Bill Fox -- which is something I just didn't hear. Maybe it's because I'm so steeped in GBV songs that I wouldn't recognize their subtler influences on a band? Do I just think a song needs to be a cover of "Gold Heart Mountaintop Queen Directory" to sound like a Bob Pollard song? Whatever. They were nice kids & clearly very enthusiastic to be playing, though they seemed a little shaky. (I don't blame them, it was their first show on the tour & Cleveland crowds can be pretty hard to read sometimes.)

ANYWAY, what I am really talking about here is Japandroids, who ruled. They played their entire album, Post-Nothing, along with a couple of other songs. For those of you who aren't already familiar with Japandroids, they're a two piece (guitar and drums) from Vancouver who play exceptionally enthusiastic rock music. The first time I heard their album was sometime last summer when Drew & I were driving up to the Chagrin Falls area to pick up a bike. The car windows were down and the first track on their album, "The Boys Are Leaving Town" (which also happened to be the first song they played last night), sounded awesome. I really wish that I had better descriptive writing abilities, because I feel like a jerk for wanting to use words like "intense" or "powerful" or "soaring guitars," but seriously. All of those things.

Something I've been thinking about a lot lately (perhaps as a result of all the riot grrrl revival talk) is the idea of dudes in music & music that reflects a distinctly male experience & how that music (supposedly) exists as an oppositional force that alienates women from participation in music scenes. I feel like a lot of people I know would classify Japandroids as being a "dude band" -- I mean, they are two dudes and they do write songs about girls and beer and there were an awful lot of bros with their fists in the air at last night's show, BUT I also feel like it's worth mentioning that I don't know that I necessarily buy Japandroids as a dude band. I do think that there's a universality to what they're doing & even though last night's audience was predominately male, I don't think that's suggestive of their music being "dude-specific" & totally foreign to female experiences. I'm not really interested in entering into heavy critique mode right now, but gender politics in music and the supposed universality of dude music & intimate specificity of female music is something I've been mulling over lately & last night's show had me thinking about it again.

Japandroids are continuing their tour in Champaign, IL tonight. For more dates and info, check out their webpage. If you're a fan & have worn out your copy of their album, they have a new release of old releases called No Singles coming out at the end of this month. You can pre-order it here. No Singles compiles the 2 5-song EPS that Japandroids released before signing to Polyvinyl. My closing thought on the show: one thing that Japandroids have in common with Miles Kurosky is an excellent t-shirt selection.

Finally, a thought TOTALLY UNRELATED to any of the above, I was listening to Stone Cold Bikini on WRUW this past weekend & when "For Tammy Rae" came on I found myself thinking, "At this point in my life, I think I would really appreciate a shoegaze version of this song."

Japandroids, "Young Hearts Spark Fire" (DOWNLOAD)
Japandroids, "Wet Hair" (DOWNLOAD)

Live in Columbus (Last Night)



Last night Drew and I drove down to Columbus to see the xx and jj at the Wexner Center for the Arts. I never really planned on being negative on this blog, I mean, if I listen to something and don't like it, why on earth would I waste time writing about it? BUT, I'm trying to make an effort to write about the majority of the concerts I go to (mainly so that I don't forget I've been there.)

So anyway, Drew and I bought our tickets for this show way back. I think the xx was still riding the hype of being on some "Best Albums of the Year" lists & jj hadn't gotten that awful review for jj no 3 on Pitchfork (not that that matters, I mean, who cares what Pitchfork thinks? But still, it was harsh.) I had never really listened to either band, but Drew was interested in going & I was feeling a little more adventurous in terms of concert attendance, so we got tickets. Later on, I developed an affinity for jj's Human League-ier sounding tunes, as noted here & started to look forward to the show.

jj's set started out with Elin playing two songs (one of them was "Are You Still in Vallda?") on the acoustic guitar with no accompaniment. It was a sweet way to start out the set and it made me think that maybe some of the recent live reviews I'd read about jj were, perhaps, unnecessarily harsh, but then it was all downhill from there. I don't really know what to say -- I guess, watching jj perform was a lot like watching someone do karaoke. The entire set was, more or less, Elin singing along with the album. For the majority of the songs there was no one else on stage with her -- unless you count the projected images of running caribou and Elin rolling joints. It was just kind of a bummer. Jaokim came out with a guitar for a couple of songs and sort of mimed playing it -- then he went and sat on the far end of the stage behind some speakers for the rest of the set. I don't know, the whole thing was just weird and kind of depressing. Elin's voice was lovely and I still like their music, but can't imagine ever wanting to see them live again. (Side note: when I initially wrote about jj, I mentioned my main affinity for them being that they reminded me of the Human League -- imagine my surprise and delight when the between set music was extended dance mixes of songs from the Human League's album, Dare.)

Compared to jj, the xx was tremendous! They were dynamic and very together and also extra, extra polite and friendly, which is something I really appreciate in a band's stage presence. Unfortunately, their music just really wasn't my thing. While watching them I found myself thinking, "The xx would play a really, REALLY good set at the Bronze," and then I thought, "How unusual that I should think that? I just saw a band and thought that." I mean, I've probably only seen a few Bronze-esque bands in my lifetime. How strange to see two within a week of each other? So, this morning I'm doing some googling and (surprise!) it turns out that the Big Pink and the xx actually toured together. A Bronze Band Roadshow. Anyway, while technically proficient, the xx just didn't do it for me. The crowd was super into it though -- lots of girls with digital cameras singing along to every song.

I was extremely surprised when Drew tapped me on the shoulder and asked me if I wanted to leave before the band came out for their encore. Drew NEVER does that. He STILL complains about shows that he had to leave early in high school. In the years that we've been going to shows together, we've only ever left one show early prior to last night. (Side note: last night Drew kept saying how he had no clue the xx was so popular and that the crowd they attracted was very different from what he expected, which led me to say, "I bet one of their songs was used on a tv show that's popular with college girls." Drew said he didn't think so, but a quick perusal of the xx's WikiPedia page says they had a song used on Grey's Anatomy, so, you know, there's that.)

So yeah, it was just kind of a weird night out. But tonight we're going to see Japandroids and tomorrow we're going to see Girls and Dum Dum Girls, all of which will probably be much more our speed.

Lion Eater

Lion Eater, "It's Been Such A Long Time" (DOWNLOAD)

Normally I'm reticent to post a song by someone when they don't have a release (or at least more songs somewhere!) for a number of reasons (1. I'd love people to support the artists I feature by purchasing their work, 2. It drives me crazy when I find one great song by someone only to find out that they don't have anything else available). BUT, I'm going to make an exception for this song because 1. It's ruling my heart right now and 2. You can still support Lion Eater by buying the Sand Witches demo.

So, Lion Eater is the name that Izzy from Sand Witches released this song under. It's a sweet, simple tune with just guitar, vocals, & a piano that reminds me of a melodica. I could listen to this song over and over (which is what I've been doing while writing this entry) and am dying for Izzy to put out a tape.

This is a perfect springtime song -- sort of sad, sort of hopeful, but very, very catchy. I definitely see this becoming a fixture on any spring and summer mixes I might make.

If you like "It's Been Such A Long Time," definitely check out Sand Witches and I will for sure report back if Izzy releases any other songs!

Lion Eater, "It's Been Such A Long Time" (DOWNLOAD)

Giving It All Away!



I ran Random.org's "true random number generator" this morning & the winner is commenter #8, Brittany! At first I thought that I should generate another number because how truly random could it be if it picked someone I actually know, but then I realized that with only 11 commenters (the majority of whom I know either in real life or on some corner of the internet), it would actually be a lot weirder for the winner to be someone I didn't know. Anyway, thanks to everyone who commented! I will for sure be checking out your music recs and there will be more give-aways in the future!

Hey pals, how are you doing? I'll be honest, I'm in an exceptionally good mood. Last night's show (Prisoners, Good Touch Bad Touch, Psychedelic Horseshit, and Strange Boys) was a lot of fun (even though Drew and I didn't get home until 3AM, which is WAY TOO LATE if you ask me.) It's sunny and unseasonably warm out and I'm off work for the next couple of days. On top of that, my Sub Pop copy of I Will Be, the new Dum Dum Girls LP came in the mail today, along with a free copy of the "Jail La La" 7". Since I already had a copy of the "Jail La La" single, I figured I might as well give this one away. "Jail La La" is Dum Dum Girls' first single on Sub Pop & the b-side is a cover of "Play With Fire" by the Rolling Stones.

So here's the deal: If you're interested in perhaps receiving this in the mail, comment on this entry by midnight (Eastern Standard Time) on Sunday, April 4th with a couple of your current favorite songs and/or bands. On Monday morning, I'll use a random number generator to pick the winner!

Because of the cost of shipping, this first giveaway will be open to US residents only. Future ones might open up to overseas shipping, we'll see how things go. In case you were wondering, the 7" comes with a download code for mp3s of both songs.


In case you can't remember how "Jail La La" goes, or if you've just never heard it before, have a video!

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